Writer’s Digest University’s “How to Find and Keep a Literary Agent Boot Camp” is half-way finished for this week. I’ve learned a lot about query letters. We’ve viewed two videos, had two days of two hour discussions, and tomorrow we submit our query letter, first five pages, and synopsis for our agent’s critique. I choose Jill Marr from the Sandra Dijkstra Literary Agency. The agents’ critiqued materials are due to attendees by April 9th. I’ve connected on social media with several people from Jill’s group discussions. It’s been an inspiring few days.
The boot camps are different from the tutorials that Writer’s Digest offers. I haven’t taken a tutorial, but I’m impressed with this boot camp.
More later. I have to do my Norman in the Painting synopsis.
For the first time, I’m taking a class with Writer’s Digest University. “How to Find and Keep a Literary Agent Boot Camp.” It includes a tutorial presented by agents at the Dijkstra Literary Agency explaining the process of submitting to an agent. For two days, two hours each day, there will be Q and A on topic, and we will have time to revise our query letter and the first 5 double-spaced pages of our novels as necessary.
Then, best of all, we send our revisions directly to one of the four agents we are assigned. They will spend 10 days reviewing what we’ve submitted and provide feedback as to what works and what doesn’t. I pitched Norman in the Painting to an agent at the San Francisco Writer’s Conference last month who asked for the manuscript and query. I’m excited to attend the WD Boot Camp so I’ll learn how to present the best query and first five pages possible.
Have any of you taken a WD Boot Camp?
Osher Lifelong Learning Institute in Berkeley, California, offers a great course on “British Revolutions: Kings, Queens, and Knaves” taught by Bruce Elliott. The link below shows a video of Elliott speaking about the class that’s held on Tuesdays from January 27th to March 3rd. In this session, he will be covering the periods from Renaissance Kingship (1509) to Victorian England (1900).
Anyone who is writing historical fiction from those four centuries would enjoy his course that “highlights the revolutionary stages and leading characters – the respectable and less-respectable individuals who set the tone for their times.” My friend, Hella Tsaconas of https://hellafashionow.com highly recommends Elliott’s courses.