I dedicate this quote to Ron Toryfter and all his and my artist friends..
Should I have created a more genteel title? Okay, how about “Looking for class of 1945-1946?” Misleading because it sounds like a graduating class. Maybe, “Looking for Stephens Elementary first-grade classmates?” There were nearly one hundred first graders back then and only 39 in Mrs. Buffington’s class of 1945-46. (Did I say only 39? That was a huge class with no teacher’s assistant.)
How about this title?
Wanted Dead or Alive
Mrs. Buffington’s first grade class of 1945-46
While my twin, Vi Parsons, and I prepared for our March 10th book launch of Double Take, our stories of growing up in Chowchilla, California, we dug out childhood photos and memorabilia to display at two hometown authors events. Well, not exactly our hometown since we were born hundreds of miles southeast of Highway 99, but the town where life unfolded for us like purple morning glories on a spring…
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Romeo appeared in the Alaskan community near Juneau, and “was a bit of a flirt, and like Shakespeare’s Romeo seemed to fall in love with”…Juliet, a yellow Labrador. Normally wolves fight with canines or eat them, but Romeo wanted to play and had his favorite humans and dogs. He would keep his distance from people but came within touching range of the author, however, Nick Jans didn’t try to pet him. He respected the wolf’s wild behavior. Romeo “would run into the middle of a game of fetch and steal the tennis ball, run off with it, throw it up in the air, and bat it with his paws.” He had his own toys that he’d bring to Jans and his friend, Harry Robinson. Romeo would pick up one of his toys, knowing how to fetch, and bring it to Harry to throw, .
The average life span of a wolf is three years and he was full grown when he came to the community. He visited them often for six more years, so he was at least eight years old at the time of his death. They didn’t feed him. He would leave for several days, apparently finding his own food.
To read more, go to the link above, or order it from you local bookstore, or go to http://www.amazon.com/Wolf-Called-Romeo-Nick-Jans/dp/054422809X/ref=sr_1_1?ie=UTF8&qid=1427668462&sr=8-1&keywords=A+dog+called+Romeo
- Saturday, March 28, 2015, 8:00 am – 12:30 pm
For men and women
Women’s Building, Auditorium,
3543 18th Street (b/t Guerrero & Valencia Streets) San Francisco CA 94110
- Free pre-pitch coaching and ongoing mentoring
Two one-hour pitch sessions and more!
After the sessions, a panel presentation explores “Steps to Publishing: Editing”
Cost: $65 WNBA members, $75 non-members, $90 walk-ins, if space available.
- A rare opportunity to pitch to literary agents and acquisition editors in a private, supportive setting and receive feedback from some of the best publishing professionals in the Bay Area.
The list of some of the agents:
Andy Ross, previous owner of Berkeley’s legendary Cody’s Bookstore, now owns his own literary agency.
Georgia Hughes, editorial director at New World Library.
Brenda Knight, presenter at the SF Writers Conference, worked at Harper Collins.
Donna Galassi, VP Associate Publisher for Avalon Travel and Seal Press.
Daniel Harmon, Publishing Director, previous pop culture editor.
Amy Cloughley, agent with Kimberley Cameron & Associates.
Chelsea Lindman, literary agent at Sanford J. Greenburger, Associates.
Laurie McLean, Founding Partner of Fuse Literary Agency, previously with Larsen Pomada Literary Agents.
Gayle Wattawa, of Heyday, an independent, nonprofit publisher.
Carlie Webber, founder of CK Webber Associates Literary Agency.
And several more.
Writer’s Digest University’s “How to Find and Keep a Literary Agent Boot Camp” is half-way finished for this week. I’ve learned a lot about query letters. We’ve viewed two videos, had two days of two hour discussions, and tomorrow we submit our query letter, first five pages, and synopsis for our agent’s critique. I choose Jill Marr from the Sandra Dijkstra Literary Agency. The agents’ critiqued materials are due to attendees by April 9th. I’ve connected on social media with several people from Jill’s group discussions. It’s been an inspiring few days.
The boot camps are different from the tutorials that Writer’s Digest offers. I haven’t taken a tutorial, but I’m impressed with this boot camp.
More later. I have to do my Norman in the Painting synopsis.
I took a break today and read a novella by Paul Levinson called “The Other Car.” It’s available on Kindle for $.99.
James Oleson is beginning to see everything in perfect duplicate – two identical models of cars which are the same down to scuff marks and license plate, two old philosophy books with the same torn pages and inscription in old ink, and twin mail men. Is he losing his mind, or experiencing the birth of a new alternate reality via binary fission?
Back to numbers.
Book Review Reblog from solothefirst.wordpress.com
But, as Susan recounts in ‘Our House is Not in Paris’, they own a holiday house in France — the other side of the world. And not only that, this petite maison required significant renovating, which they accomplished almost singlehandedly during their working holidays.
Our House is Not in Paris is a story of pushing boundaries, aiming high and, most of all, taking risks. With humour, poetry and insight, Susan’s story shows that you can do more than simply dream: if you work hard, anything is possible.
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